Because each new generation of writers is in competition with all others, living or dead, for inclusion in the halls of worldly memory, each artist must develop ways of strategically, even unconsciously, “misreading” the work of the precursor. So T.S. Eliot’s poetry becomes a struggle with Alfred Lord Tennyson and, more covertly, Walt Whitman. Whitman himself is always tussling with Ralph Waldo Emerson and the poetry of the King James Bible. William Wordsworth has to fend off the over-influence of John Milton and Shakespeare to achieve a comparable Romantic success. The young Shakespeare himself engages in a brief agon with his contemporary Christopher Marlowe, before becoming one of the few writers in the Bloomian cosmology to rise out of the field of influence entirely. Shakespeare, according to Bloom’s appraisal, owes nothing to anybody. In fact, all of us now owe most of ourselves to Shakespeare—so much so that any academic or critical attempts to destabilize the Bard’s preeminence only prove how embarrassing the debt has become. As the history of the written word goes on, the burden of influence accumulates, until finally young writers feel such a pang at their own belatedness, they wonder whether they’ll ever be able to add a single thing to their scandalously rich inheritance.
Both pairs have since rebuilt their nests in slightly higher locations and are incubating fresh clutches of eggs.
跨平台：iOS、Android、Web。新收录的资料对此有专业解读
2024年12月24日 星期二 新京报，详情可参考新收录的资料
"We live through cocoa."
Ранее бывший премьер-министр страны Николай Азаров заявлял, что Зеленского ждет жесткий разговор с Урсулой фон дер Ляйен из-за происходящей на Украине коррупции.，这一点在新收录的资料中也有详细论述